Priyanka Nalkar Wiki

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ARTICLES

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1.ENDURANCE A DROLL SAGA (MANAVINI BHAVAI): A TIME- DOMINATED NOVELDR. BHAGVANBHAI H. CHAUDHARI ARTICLEClick Here
2.PROMOTING SELF-DIRECTED LEARNING IN A LANGUAGE CLASSROOM-AN EXPERIMENTTALAT RAFI RAZA KHAN ARTICLEClick Here
3.PORTRAYAL OF MOTHER-DAUGHTER RELATIONSHIP: SWEETSOUR CAULDRON IN ANITA RAU BADAMI’S TAMARIND WOMANDR. JYOTI PATIL ARTICLEClick Here
4.TRANSITIVITY IN TENNESSEE WILLAMS’S A STREETCAR NAMED DESIREOLFA GANDOUZ ARTICLEClick Here
5.LINGUISTIC PERSONALITY IN THE LIGHT OF ANTROPOTHENTRIC PARADIGM: BASIC NOTION, BEST PRACTICES, CHALLENGES AND PERSPECTIVESDR.NORMURODOVA NOZLIYA ZARILOVNAARTICLEClick Here
6.LINGUISTIC GAMES IN FORMING THE COMMUNICATIVE SKILLSAND COMMUNICATIVE COMPETENCE OF PUPILS FROM THE FIFTH TO NINTH GRADES AT THE LESSONS OF THE RUSSIAN LANGUAGERAXMONOV AZIZXON ARTICLEClick Here
7.SINGER OF LIVES: GADDARDR.KIRAN KUMAR GOLLA ARTICLEClick Here
8.VICTORIAN AGE IN ENGLISH LITERATURE CARRIED THE ROMANTIC HERITAGEAJU MUKHOPADHYAY ARTICLEClick Here
9.GROUP VIOLENCE IN VIJAY TENDULKAR’S PLAYS: ‘COLLECTIVE SHADOW’DR. SANJAY M. SANAP & NISHA SURESH ENDAIT ARTICLEClick Here
10.CURTAIN: A CHARACTER IN THE PLAYS OF GIRISH KARNAD AND VIJAY TENDULKARDR.TANJEEN A. KHAN ARTICLEClick Here
11.WRITING THE RAPE: A CRITICAL STUDY OF RAPE NARRATIVES THROUGH FEMINIST AND DALIT LENSDR.U S SARANYA ARTICLEClick Here
12.NATIONALISM AND INDIAN LITERACYPROF. NIVRUTTI R. JOSHI ARTICLEClick Here
13.AMIT CHAUDHURI AS AN EXTRAORDINARY NOVELIST IN HIS LANGUAGE AND STYLEDR. ANURADHA & K. DEEPA RAJYASHREE ARTICLEClick Here
14.WOMEN EMPOWERMENT THROUGH PROFESSION IN AMITAV GHOSH’S ‘THE HUNGRY TIDE’RENU CHANDEL ARTICLEClick Here
15.THE EFFECTIVENESS OF WEB-BASED TOOLS, BLOG & WIKI FOR THE ENHANCEMENT OF COMMUNICATION SKILLSDR.AGNEL ROY ARTICLEClick Here
16.EDUCATING COMPOSITION (WRITING SKILLS) TO COLLEGE STUDENTSDR.ASMITA SHARAD SALVE ARTICLEClick Here
17.THE SUBALTERN IDEOLOGY OF BRITISH EMPIRE: A STUDY OF KIMDR. SUDHIR KUMARARTICLEClick Here
18.RABINDRANATH TAGORE’S CHANDALIKA: AN ASCETIC
OUTLOOK OF SUBALTERNITY
MR.SUMIT SHARMA ARTICLEClick Here
19.A.K.RAMANUJAN’S IRONIC TONE IN HIS ‘SECOND SIGHT’DR.PRAKASH NARAIN ARTICLEClick Here
20.RABINDRANATH TAGORE’S CHANDALIKA: AN ASCETIC
OUTLOOK OF SUBALTERNITY
MR. SUMIT SHARMAARTICLEClick Here
21.SOCIOLOGICAL REALISM IN SHASHI DESHPANDE’S THE DARK HOLDS NO TERROR, THAT LONG SILENCE & ROOTS AND SHADOWSDR. LAVANYA SIVAPURAPU & DR.M.UMA DEVI ARTICLEClick Here
22.THE TREATMENT OF MOTHER – DAUGHTER RELATIONSHIP IN THE WORKS OF JAMAICA KINCAID AND SHASHI DESHPANDESOUMYA.S J ARTICLEClick Here
23.SYMBOL AND IMAGERY OF TREE IN ZORA NEALE
HURSTON’S THEIR EYES WERE WATCHING GOD
DR.NIDHI MISHRA ARTICLEClick Here
24.BABYLONIAN MYTHOLOGY: A REFLECTION OF MASCULINE CULTUREDEBALINA ROYCHOWDHURY (BANERJEE) ARTICLEClick Here
25.REFLECTIVE TEACHING PRACTICE FOR TEACHING
SENTENCE STRUCTURES USING TASK BASED LANGUAGE TEACHING
MS AMRITA SHARMA ARTICLEClick Here
26.FRIENDSHIP, LOVE, SEX, FEAR, UNEMPLOYMENT, FAMILY CONFLICT AND MARRIAGE IN CHETAN BHAGAT’S ONE NIGHT @ THE CALL CENTERSUNIL GOMAJI CHAUDHARI ARTICLEClick Here
27.MANJU KAPUR’S HOME: A TALE OF STRANGELY CAPTIVATED NISHAV. KRISHNAVENI & DR. S. MOHAMED HANEEF ARTICLEClick Here
28.SPEAKING THE UNSPEAKABLE: PAIN, MEMORY AND CONFLICT OF THE MARGINALIZED IN HARRIET ANN JACOBS’SINCIDENTS IN THE LIFE OF A SLAVE GIRLSOUMY SYAMCHAND & DR. A. SELVARAJ ARTICLEClick Here
29.IMPACT OF SOCIAL PERSPECTIVES IN VED MEHTA’S VINOBA’SGRAMDAN TOOFANDR. S.T. HAIBATPURE ARTICLEClick Here
30.INDIAN ENGLISH FICTION: READING AND REFLECTIONS:AN ANALYSISDR.BOLLA MALLIKHARJUNA RAO ARTICLEClick Here
31.NARRATING SURVIVORS’ VOICE: BAPSI SIDHWA’S
ICE-CANDY MAN
DR. RAJ KUMAR MISHRA ARTICLEClick Here
32.COMPARATIVE ANALYSIS OF WILLIAM BLAKE’S LONDON AND WILLIAM WORDSWORTH’S UPON WEST MINISTER BRIDGESADAF MUSHTAQNASTI & YAWAR AHMADMIR ARTICLEClick Here
33.RACISM AND PROTEST IN WALTER MOSLEY’S MYSTERY NOVEL, DEVIL IN A BLUE DRESSS. S. PAWAR & DR. R. R. THORAT ARTICLEClick Here
34.RETHINKING OF MIGRATION WITH REFERENCE TO ‘SEA OF POPPIES’RAJENDRA SHANKAR HIRE ARTICLEClick Here
35.NEW LITERARY MOVEMENTS IN INDIAN ENGLISH FICTIONDR.ARTI MISHRA ARTICLEClick Here
36.MURTY’S YELLAMMA: WOMAN WITH A MIND
AN IDEAL FOR ENTREPRENEURSHIP DEVELOPMENT OF RURALWOMAN THROUGH BELIEF IN SELF
MS. MANASI G. SWAMI ARTICLEClick Here
37.ECOLOGICAL CONSCIOUSNESS IN THE NOVELS OF AMITAVGHOSHDR. M. SREELATHA ARTICLEClick Here
38.MISCEGENATION PORTRAYED IN VIKRAM SETH’S “TWO LIVES”M.VASANTH & DR.L.RAJESH ARTICLEClick Here
39.FEMINISM IN FEMINIST STUDY WITH THE REFERENCE TO MARGARET ATWOOD’S THE EDIBLE WOMANDR.R.NAGANATHAN & DR.GANGALAKSHMI ARTICLEClick Here
40.ENGLISH FOR THE ‘RESERVED’: EMPOWERING ESL SPEAKERS THROUGH COLLABORATIVE LEARNINGPRONEMA PRADIPKUMAR BAGCHI ARTICLEClick Here
41.COLONIAL AND POST-COLONIAL THEORY AND ITS IMPACT ON CONTEMPORARY FICTIONSDR. KIRTIKA SINGH ARTICLEClick Here
42.INDIAN COUNTERPART OF SHAKESPEARE’S BIANCA: BOLD BUT VULNERABLE BILLO CHAMANBAHAR IN VISHAL BHARADWAJ’SOMKARAHARPREET KOUR ARTICLEClick Here
43.CONCEPT OF FAMILY RELATIONSHIP IN ARUNDOTHI ROY’S ‘THE GOD OF SMALL THINGS’DR. VEERESH PUJARI ARTICLEClick Here
44.MAHATMA GANDHI’S PRACTICAL APPROACH TO ETHICS AND MORALITY IN CONTEMPORARY HUMANISMDR. NANDKUMAR SHINDE ARTICLEClick Here
45.ENDURANCE A DROLL SAGA (MANAVINI BHAVAI): A TIMEDOMONATED NOVELDR. BHAGVANHAI H. CHAUDHARI ARTICLEClick Here
46.T. S. ARTHUR: A RECIPROCAL OF SENSIBILITY AND SYMPATHY IN AN ANGEL DISGUISED. B. WANKHADEARTICLEClick Here
47. DIASPORIC EXPERIENCE OF WOMEN IN JUMP LAHIRI’S
INTERPRETER OF MALADIES
D. SUNDAR SINGH & DR. R. SURYA PRAKASH NARAYANAN ARTICLEClick Here
48.DESAI’S CONTRIBUTION IN WOMEN EMPOWERMENT,
GENDER EQUALITY AND SOCIAL JUSTICE
EESHU SAXENA ARTICLEClick Here
49.‘DIASPORIC CONCERNS IN THE BOOKER WINNER INDOANGLIAN NOVELISTS’AMIT KAPOORARTICLEClick Here
50.ALIENATION IN HAROLD PINTER’S THE CARETAKERSURBHI MALHOTRA ARTICLEClick Here
51.THE ROLE OF SPICES IN CHITRA BANERJEE DIVAKARUNI’S THE MISTRESS OF SPICES AND PREETHI NAIR’S 100 SHADES OF WHITEM. FATHIMA SANJEETHA & DR. S. MOHAMED HANEEF ARTICLEClick Here
52.QUEST FOR IDENTITY IN THE NOVELS OF SHASHI DESHPANDEJAYASHRI SUKDEV NALKAR ARTICLEClick Here
53.THEME OF POLITICS IN ASIF CURRIMHHOY S “GOA”: A STUDYMS. PRIYANKA JATINDERNATH SEHGAL ARTICLEClick Here
54.EXPLOITATION OF GIRLHOOD–A STUDY OF ANITA NAIR’S PROTAGONISTSANUP V. GUMBLE AND NIRAJ P. KENDHE ARTICLEClick Here
55.IMAGERY IN A.K.RAMANUJAN’S POETRYDR. MOHAMMAD ASLAM SHEIKH ARTICLEClick Here
56. ‘STRUGGLE FOR FREEDOM’ – A CRUDE TRUTH ABOUT INDIA IN ARAVIND ADIGA’S NOVEL ‘THE WHITE TIGER’R. CHANDRA SEKHAR ARTICLEClick Here
57.SOCIAL MEDIA BASED LANGUAGE LEARNING – A PRODUCTIVE WEB TOOL-2.0 FOR LANGUAGE ACQUISITION IN L2 PEDAGOGYDR.R.NAGANATHAN & DR.GANGALAKSHMI ARTICLEClick Here
58.WOMEN IMPOWERMENT THROUGH PROFESSION IN AMITAV GHOSH’S ‘THE HUNGRY TIDE’RENU CHANDEL ARTICLEClick Here
59.WOMAN AS AN EMANCIPATOR AND THE EMANCIPATED: A
STUDY OF ANITA NAIR’S LADIES COUPE
DR.C.RAJU & K.R.GEETHANAJALI ARTICLEClick Here
60.SURPANAKHA’S ENEMY – RAM OR RAVAN? KAVITA KANE’S LANKA’S PRINCESS – A STUDYT. R. KEERTHANA ARTICLEClick Here
61.TAGORE’S AESTHETICS : ART AND CREATIVITYDR. NIDHI NAGAICH ARTICLEClick Here
62.ICT BASED ENGLISH LANGUAGE TEACHING AT THE SECONDARY LEVEL SCHOOLS IN AMU: A NEEDS ANALYSISFARHEEN ANJUM ARTICLEClick Here
63. IMPORTANCE OF SOFT SKILLS FOR EDUCATION AND EMPLOYMENTPARMAR SHUBHDA & DR. SUBHASH SHARMA ARTICLEClick Here
64.DEATH IN NIGERIA: THE DOUBLE PERSPECTIVEMALIZE F. U. ARTICLEClick Here
65.SEXUAL POLITICS: AN EXPLICATION OF MALE DOMINANCE AND MISOGYNISM IN KHALED HOSSEINI’S A THOUSAND SPLENDID SUNSR.VIJAY KARTHIC & S.GARRET RAJA IMMANUEL ARTICLEClick Here
66.LANGUAGE RIVALRY AND THE EDUCATION POLICY IN POST INDEPENDENCE INDIAVIDUSHI CHAWLA ARTICLEClick Here
67.HOW ‘HUMAN’ IS THE POSTHUMAN? : A READING OF RICHARD POWERS’ GALATEA 2.2BIRENCHI KUMAR PEGU ARTICLEClick Here
68.PARADIGMS OF POWER SUBVERSION: A GREENBLATTIAN STUDY OF TARIQ ALI’S THE BOOK OF SALADINMS. S.SUBADHRA ARTICLEClick Here
69.ENGLISH STUDY SKILLS IN MODERN ERA AND THE ROLE OF TEACHERSDR. ASMITA SHARAD SALVE ARTICLEClick Here
70.THE CHANGING FACE OF SPY GENRE: JOHN LE CARRÉ’S TINKER TAILOR SOLDIER SPYMS. ASHIMA PANDEY & DR. PRATIBHA KUMAR ARTICLEClick Here
71.SYMBOLISM IN DAN BROWN’S THE DA VINCI CODEADITYA SURESH KULKARNI ARTICLEClick Here
72.UNDERSTANDING METHODOLOGY OF MY ENGLISH BOOK, A TEXTBOOK PRESCRIBED AT THE PRIMARY LEVEL IN THENAGPUR MUNICIPAL CORPORATION SCHOOLSNIDHEE MESHRAM ARTICLEClick Here
73.PSYCHOLOGICAL SCIENCE FICTION IN KAZUA ISHIGURO’S PLAY NEVER LET ME GOA.SABITHA BEEVIARTICLEClick Here
74.FROM SINNER TO SAINT: A STUDY OF R. K. NARAYAN’S
THE GUIDE
PADMAPRIYA ARTICLEClick Here
75.GRAMMAR TECHNIQUES FOR COLLEGE STUDENTSDR.ASMITA SHARAD SALVE ARTICLEClick Here
76.THE PREDICAMENT OF DIASPORIC AND DEGENERATING GENERATION GAP: A STUDY OF JHUMPA LAHIRI’S
UNACCUSTOMED EARTH
DR.C.RAJU & DR.T.DEVAKI ARTICLEClick Here
77.DESTABILIZATION OF THE PATRIARCHAL CONCEPT THROUGH THE JHUMUR SONG LYRICS OF PURULIASURAMA BERA ARTICLEClick Here
78.CONTINUOUS PROFESSIONAL DEVELOPMENT AND INSET (INSERVICE EDUCATION AND TRAINING) FOR SECONDARY SCHOOLS ESL TEACHERS REVISITEDFARHEEN ANJUM ARTICLEClick Here
79.COLONIZING THE POOR: THE WHITE MAN’S BURDENSHIKHA BAKSAR ARTICLEClick Here
80.MARGINALIZATION AND DISCRIMINATION OF SUBALTERN : BAMA’S KARUKKUJ.JESLIN CHELLAM ARTICLEClick Here
81.PHILOSOPHY OF EXISTENTIALISM AND LITERATURESHILPA SARODE ARTICLEClick Here
82.DOWN AND OUT INDIAN YOUTH REACHES OUT TO THE ALMIGHTY IN CHETAN BHAGAT’S ONE NIGHT AT THE CALL CENTERPRIYANKA KUMARI PATLE ARTICLEClick Here
83.CRISIS OF SELF AND GLIMMER OF HOPEANITA. L ARTICLEClick Here
84.A STUDY OF OCCUPATIONAL ASPIRATIONS IN RELATION
TO THEIR SCHOOL ENVIRONMENT OF SEN. SECONDARY SCHOOL LEVEL STUDENTS IN BANDA DIST., U.P.
NAVDEEP KUMAR MAURYA ARTICLEClick Here
85.ASPECTS OF MYTHOLOGY IN GIRISH KARNAD’S NAGAMANDALAT.KANMANI ARTICLEClick Here
86.QUEST FOR SELF OF WOMEN IN SAADAT HASAN MANTO’S
SHORT STORIES
APPASO SHIVAJI KOLEKAR ARTICLEClick Here
87.DEATH IN NIGERIA: THE DOUBLE PERSPECTIVEMALIZE F. U. ARTICLEClick Here
88.ROLE OF MOBILE PHONE IN LANGUAGE TEACHING
CLASSROOM
HEMALATHA . S ARTICLEClick Here
89.THE PLIGHT OF INDIAN MOTHERS: A STUDY OF MAHASWETA DEVI’S MOTHER OF 1084ANUSUYA .M ARTICLEClick Here
90.DELINEATION OF THE INDIAN WOMEN CHARACTERS IN THE SELECTED PLAYS OF ASIF CURRIMBHOYPRIYANKA JATINDERNATH SEHGAL ARTICLEClick Here
91.CASTE AND CLASS IN GURDIAL SINGH’S THE LAST FLICKERRAJNI MAKHAIK ARTICLEClick Here
92.GENDER DISCRIMINATION IN MAHESH DATTANI’S “PLAY DANCE LIKE A MAN”M. THAMARAI SELVI ARTICLEClick Here
93.METAPHYSICS AND POETRY IN DR. J. S. ANAND’S ‘THE LIVING SPLENDOUR’MALIZE F. U. ARTICLEClick Here
94.ADAPTING MULTIPLE INTELLIGENCE THEORY TO TEACH RECEPTIVE VOCABULARYSIVARANJANI. G ARTICLEClick Here
95.IMAGES OF WOMEN IN MANJU KAPUR’S A MARRIED WOMENC. ROSHINI FATHIMA ARTICLEClick Here
96.AN OUTLOOK ON INFRASTRUCTURAL SECTORS IN NAGALAND (POWER, ROAD, TRANSPORT AND COMMUNICATION)RAJANI DAS ARTICLEClick Here
97.THEME OF RACE AND GENDER IN ASIF CURRIMBHOY’S PLAYSMS. PRIYANKA JATINDERNATH SEHGAL ARTICLEClick Here
98.“COMMUNITY AND VIOLENCE,” MEMORY, HISTORY AND THE QUESTION OF VIOLENCE: REFLECTIONS ON THERECONSTRUCTION OF PARTITIONDR. BOLLA MALLIKHARJUNA RAO ARTICLEClick Here
99.BLACK FEMINISM IN MAYA ANGELOU’S ‘I KNOW WHY THE CAGED BIRD SINGS’P.KALAIVANI ARTICLEClick Here
100.CASTEISM: AN INHERENTLY ANNIHILATING MECHANISM IN PERUMAL MURUGAN’S PYRESHIKHA THAKUR ARTICLEClick Here
101.SAREE SAGA: TRACING THE EVOLUTION AND HISTORY OF THE TRADITIONAL INDIAN WEARDR. ANINDITA CHATTERJEE ARTICLEClick Here
102.WOMAN’ PREDICAMENT IN PRIYA: IN INCREDIBLE INDYAA BY NAMITA GOKHALEVYAS NAMRATA MUKUNDBHAI ARTICLEClick Here
103.A STUDY OF CHARACTER IN LITERATUREEESHU SAXENA ARTICLEClick Here
104.ROLE OF MOTIVATION IN TEACHING ENGLISH IN NON-ENGLISH MEDIUM CLASSESRAHUL MADHUKAR BAVA ARTICLEClick Here
105.SUSTAINABLE DEVELOPMENT: INTEGRAL HUMANISM BYPANDIT DEENDAYAL UPADHAYAYDR. ASHWIN P. RANJANIKAR ARTICLEClick Here
106.GENDER AND RACE IN THE PLAYS OF GEORGE BERNARD SHAWPRASHANT R. SHINDE ARTICLEClick Here
107.VOICE OF DOWNTRODDEN IN MULK RAJ ANAND’S TWO LEAVES AND A BUDK.DAISY GRACELINE SORNA ARTICLEClick Here
108.FROM KATHERINA TO VIOLA: IN PURSUIT OF THE ‘MUTABLE’ EXISTENCESNEHA P. RATNAPARKHI ARTICLEClick Here
109.SAMSAKARA-THE SACRAMENTS OF HINDUISMSDR. ANJO RANI ARTICLEClick Here
110.WESTERN INFLUENCE ON GANDHIAN THOUGHTKITTEKAR UTKARSH BHIKAJIRAO ARTICLEClick Here
111.A STUDY OF MYTH IN SHASHI DESHAPANDE ’S THE INNER ROOMSDR. (MRS).ABHA PANDEY & MS.MEGHA MISHRA ARTICLEClick Here
112.DR. NARENDRA JADHAV’S OUTCASTE: A MEMOIR: A STUDY OF A JOURNEY FROM IGNORANCE TO IDENTITYDR.K.D.BOMPILWAR ARTICLEClick Here
113.INTERPRETATION OF MYTH IN RABINDRANATH TAGORE’S PLAYSDR. RAJKUMAR M LAKHADIVE ARTICLEClick Here
114.THE SAGA OF CRIME IN RAYMOND CHANDLER’S
FAREWELL MY LOVELY
DR. DHANRAJ V. SHETEARTICLEClick Here
115.REPRESENTATION OF THE INDIAN MIND IN THE SHORT
STORIES OF KHUSHWANT SINGH
DR. NISHA GOSAVIARTICLEClick Here
116.POLITICAL CONSEQUENCE IN ARUN JOSHI’S THE CITY AND RIVERTHORE DHANAJI VITHALRAO & DR YASHWANT A. DOKEARTICLEClick Here
117.JOOTHAN: A BRIEF INTRODUCTION AS A SUBALTERN NOVELDR.PRAKASH V. PANDAREARTICLEClick Here
118.WOMEN’S IMAGE IN THE NOVELS OF TONI MORRISON
DR. PARUL JAINARTICLEClick Here
119.RABBIT PROOF FENCE: A CULTURAL STRUGGLE AND
RESISTANCE
VIKAS YADAV RASKARARTICLEClick Here
120.INFRINGEMENT OF MULTICULTURALISM IN MULK RAJ ANAND’S UNTOUCHABLEDR. ASHOK CHASKARARTICLEClick Here
SR.NO

NAME OF THE TOPIC

AUTHOR
SUBJECT
FULL ACCESS
*.
Content
www.langlit.org
Content
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#.
COVER PAGE VOL.4 ISSUE 3
www.langlit.org
Cover Page
Click Here
1.POST-RETIREMENT
ORIGINAL ODIA STORY: SRI CHANDRASEKHAR DASBURMA
DR.MANORANJAN MISHRA
Short Story
Click Here
2.RAYS OF LIGHTRAJNI MAKHAIK
Short Story
Click Here
3.Sizzling Summer in My CityDR JYOTI PATIL

Poems

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4.DEAR DAUGHTER
JYOTSNA SAWANT

Poems

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5.I’M SPRING…PRIYANKA RAVAL

Poems

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6.THANK YOUANIMESH DAS

Poems

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7.MYSTERY OF CREATIONSUJJAL MANDAL

Poems

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8.ETERNITYS.RAMAMURTHY

Poems

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9.REHABILITATION
DR. GANGADEVI SENNIMALAI MARIMUTHU

Poems

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10.EXISTENTIAL SPIRITUALITY AND HUMANISM IN J.S. ANAND’S ‘THE APOCALYPSE’MALIZE F. U.

Book Review

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Born29 June 1985 (age 33)
Vamanapuram, Thiruvananthapuram, Kerala, India
OccupationIndian Film actress/Model
Years active2000–present

Priyanka Nair is an Indian model-turned-actress who works mainly in Malayalam-language films.[1] She made her debut in the Tamil film Veyyil in 2006.[2] She gained critical acclaim for her roles in Bhoomi Malayalam , Vilapangalkappuramand Jalam.[3]

Personal life[edit]

Priyanka is married to Tamil movie director/actor Lawrence Ram on 23 May 2012 in Trivandrum.[4] They have a son Mukund Ram born on may 18 2013.[5] The couple filed for a divorce in 2015[6]

Career[edit]

Priyanka completed her Higher Secondary School Certificate Studies and studied Physics at the Mar Ivanios College in Trivandrum, Kerala.[7] During that time, she was also acting part-time in several Malayalam television series including Umakkuyil, Megham and Akashadoothu.[8] She considered acting in serials as 'just time pass' and went on to add that she never intended to act in films, but rather wanted to be a lecturer.[7] She made her feature film debut in the Vasanthabalan-directed Tamil drama film Veyyil (2006) that was produced by director Shankar,[9] in which she starred along with Pasupathy. Her debut Malayalam film was Kichamani MBA (2007) that featured her in a supporting role. The following year she starred in T. V. Chandran's Vilapangalkkappuram along with Suhasini and Biju Menon; her performance earned her the Kerala State Film Award for Best Actress.[10]Rediff named her the top Malayalam actress of 2009, citing that she 'came up with a scintillating performance'.[11] She rose to popularity after appearing opposite Mohanlal in Ividam Swargamanu.[12]

Awards[edit]

Kerala State Film Award
  • 2008 – Kerala State Film Award for Best Actress- Vilapangalkkappuram
  • 2008 – Second Best Actress – Vilapangalkkappuram

Filmography[edit]

YearTitleRoleLanguageNotes
2006VeyyilThankamTamil
2007TholaipesiAnithaTamil
2007ThiruththamZahiraTamil
2007Kichamani MBAKalyaniMalayalam
2008VilapangalkkappuramZahiraMalayalamKerala State Film Award for Best Actress
2009Bhoomi MalayalamAnnie JosephMalayalam
2009Samastha Keralam PORadhaMalayalam
2009KeshuShaliniMalayalam
2009Ividam SwargamanuBetsy VargheseMalayalam
2011Orma MathramDeepa PradeepMalayalam
2011ZindagiKannada
2012Sengathu BhoomiyilaeVairasilaiTamil
2012Vaanam Paartha SeemaiyileTamil
2013Pottas BombCI Santhosh Kumar's friendMalayalam
2015KumbasaaramAyishaMalayalam
2016Malgudi DaysSwathyMalayalam
2016JalamSeetha LakshmiMalayalam
2016LeelaCK BinduMalayalam
2017Velipadinte PusthakamJayanthiMalayalam
2017CrossroadDeviMalayalam
2018Theeyorkku AnjaelMithraTamil
2018Sukhamano DaveedeJancy teacherMalayalam
2018Aickarakkonathe BhishaguaranmaarMalayalam
2019PengalilaMalayalam
TBAMullappoo PottuMalayalamFilming
TBAMaskMalayalamFilming
TBAKadalinte PusthakamMalayalamFilming

Television[edit]

Serials
  • Thaarattu(DD)
  • Sthreejanmam (Surya TV)
  • Umakkuyil(DD)
  • Megham (Asianet)
  • Swarnamayooram (Asianet )
  • Aakashadoothu (Surya TV)
Program
  • Celebrity kitchen magic (Kairali t.v.) as Judge

References[edit]

  1. ^'Mathrubhumi - Kerala News, Malayalam News, Politics, Malayalam Movies, Kerala Travel'. mathrubhumi.com. Retrieved 26 September 2015.
  2. ^'Mathrubhumi - Kerala News, Malayalam News, Politics, Malayalam Movies, Kerala Travel'. mathrubhumi.com. Retrieved 26 September 2015.
  3. ^'State Film Awards (2000–12)'. Kerala State Chalachitra Academy. Archived from the original on 7 July 2015. Retrieved 26 September 2015.
  4. ^'Actress Priyanka Nair is now married'. The Times of India. Retrieved 26 September 2015.
  5. ^'Malayalam News, Kerala News, Latest Malayalam News, Latest Kerala News, Breaking News, Online News, Malayalam Online News, Kerala Politics, Business News, Movie News, Malayalam Movie News, News Headlines, Malayala Manorama Newspaper, Breaking Malayalam News,'. ManoramaOnline. Retrieved 26 September 2015.
  6. ^''Veyil' Actress Priyanka Nair Files Divorce Plea Against Tamil Film-Maker Lawrence Ram'. International Business Times. Retrieved 21 March 2018.
  7. ^ ab'Destination Tinsel town'. The Hindu. Retrieved 26 September 2015.
  8. ^'The Hindu : Metro Plus Thiruvananthapuram / Cinema : STAR trek'. hindu.com. Retrieved 26 September 2015.
  9. ^'Kerala actress Priyanka says no to skin show'. IBNLive. Retrieved 26 September 2015.
  10. ^'Kerala State Film Awards announced'. Sify. Retrieved 26 September 2015.
  11. ^'Top Malayalam actresses of 2009'. Rediff. 30 December 2009. Retrieved 26 September 2015.
  12. ^'Mathrubhumi - Kerala News, Malayalam News, Politics, Malayalam Movies, Kerala Travel'. mathrubhumi.com. Retrieved 26 September 2015.

External links[edit]

  • Priyanka Nair on IMDb
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Priyanka_Nair&oldid=892552013'